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Strands of Thought Guest Post

Posted by Tim at 11:19 on 2012/02/03
Feb 032012

In lieu of a Friday Flash today I’m guest-posting over at Strands of Thought, the blog of children’s author Kai Strand. Throughout the month of February, Kai is hosting posts on the theme of Share the Love and five sub-themes: First Love, Industry Love, Current Love, Lost Love, and Leap of Faith.

My contribution is That Snow Angel, a beautiful memory of a perfect moment with my First Love. I’d love it if you take a look and leave a comment there [or here]. And take note of the cool photo I found to go with it. That’s the work of Barbara-B. She took and posted that just days before I started looking for cover art to go with my story. [So it was meant to be that I find it, if you believe in that sort of thing.] I was thrilled when she gave me permission to use it.

And lest you think I’ve gone all mushy and romantic or something, I assure you that tomorrow I’ll be back to the normally curmudgeonly self that you have come to expect around here. ;-)

The Myth of the Garret-Bound Writer

Posted by Tim at 21:20 on 2012/01/09
Jan 092012

Note: You can still weigh in on the “Writing for Snob’s” poll. Also, the “We Don’t Need No Editation,” “Publishment Fits The Crime,” and Writing the Wheels Off posts provide some context to this one.

I rarely give advice. However, when I hear what I think is good advice I occasionally pass it along. I wish I could remember where I heard,

“You can get rich as a writer, but you can’t make a living at it.”

Ditto for,

“It’s hard to make a living at something people are willing to do for free.”

I have been unable to locate the source of either one though. [And I may not be quoting them exactly as I heard them.] The former may have referred specifically to writing poetry and the latter might be from my foray into game design. In any case, I think they both describe problems faced by those of us who write. Actually, that’s not quite right. The problems are not obstacles to writing; they are obstacles to getting published or earning money from writing.

Let’s face it, it’s virtually impossible to stop a writer from writing. But when most people talk about being a writer what they really mean is being published. There are a fair number of us who simply must write even if we never earn a penny from it. Is it any wonder then that writing is a fiercely competitive field in which to earn a living? A precious few will be wildly successful, a significant percentage will bring in supplemental income, and the vast majority will toil away in obscurity, richer only in experience.

I think that obscurity is a valid choice. I don’t recall exactly when I started scribbling down the ideas in my head. I know it was completely disorganized — literally on scrap paper — and without any thought of publishing. I blame [and by "blame" I don't, of course, really mean anything disparaging] one of my high school English teachers for putting the notion of publishing in my head. I had brief and moderately successful dalliances with publishing on a small scale for a while and then reverted to keeping all my writing to myself. I spent many years writing in notebooks with no intention of ever sharing the words with anyone.

Remember how I said I rarely give advice? Well, here’s one of those rare instances.

If you want to write and be published, you should approach it like an entrepreneur.

[You're welcome.] You can’t expect to be successful if you ignore the business part of the publishing business. And you should recognize that, while publishing has some unique aspects, you are going to face pretty much the same challenges as any other entrepreneur.

You should have a business plan. You should clearly state your goals and identify strategies to achieve those goals. You should know what your market is and how to market your product. All of these are true whether you are self-publishing, indie-publishing, or pursuing a legacy publishing deal. Or if you were building widgets in your garage. And I know, like a lot of you, I’m not real keen on the marketing side. I don’t really want to be a “brand” and I’m not much more comfortable promoting my work than I am promoting myself. But every business has to divide its time and resources between trying to sell their widgets and actually making the widgets to sell.

Let me tell you what I think hinders more potential writing careers than anything else: the enduring myth that writers work alone. [You're welcome again.] Every writing project is a collaborative project. All that varies is the percentage of the work that you contribute. Well, that and the percentage of any profits you can expect to keep.

Sure, if your goal is to write page after page that no one else will ever read you can absolutely do that in isolation. Anything beyond that you can not do alone. If you want to sign with a legacy publisher, you become a part of their team. They will provide specific services and they will have specific expectations of what you must provide. [And it goes well beyond sitting in a room by yourself churning out words.] They will keep the majority of any profits that are realized. If that’s what you want, go after it knowing what you need to do and more importantly knowing what it is they do. School yourself on the process.

I think self-publishing is a much more exciting prospect and it has never been easier. [By easier I don't mean you won't have to put in a shipload of work, but the potential has never been greater and the resources have never been more plentiful.] Hire your own editor. [I like to edit. Hire me!] Hire your own cover designer. Hire your own video producer to make a trailer. Gather all the resources you need to make your book the best it can be. Enlist the help of your writing community — you are part of a community, aren’t you? I’m telling you, writers do not work alone. [OR: I'm telling you writers, do not work alone.] In fact, I think that should be my final bit of advice:

Writers, do not work alone.

In Which I do the Splits

Posted by Tim at 16:24 on 2011/12/20
Dec 202011

20 Years LaterFrom Dark PlacesI am honored to host the wildly talented Emma Newman who recently celebrated the hardcover release of her novel 20 Years Later. You may also know her from her anthology of short stories, From Dark Places, or her participation in FridayFlash. Or — as if that weren’t enough, like it should be, but it’s not — you may have heard her voice work which you can check out here.

 

Split Worlds ProjectToday Emma treats us to the eighth in her Split Worlds Short Stories. She is releasing one per week for a year and a day. You can find all the stories along with audio versions here. You can also sign up there to host one of these stories on your own blog.

 

Do you want to hear Emma read the story to you? Click here or on her pretty picture below. Without further ado, please enjoy this week’s Split World Story: Separation.

Emma Newman


Separation

Kim sat at the kitchen table, dropping the letter onto the scraps of fabric and coloured paper. She felt sick, then tearful, then furious, but she didn’t make a sound.

The door was open, letting in the scent of summer along with birdsong, the heavy drone of bees and Natalie’s singing. Everything around her spoke of happiness, seeming absurd when her life was imploding. Divorce should only happen in the winter, she thought.

Her mobile chimed, she bit her thumbnail, now fearful of text messages. He hadn’t sent any for a few days, perhaps it was the first of the next burst of hate. She tidied the table, putting the paper and fabric back in the crafting box, sweeping up the fallen glitter with the dustpan and brush, all the while the ‘new message’ symbol flashing on her phone. Finally she’d gathered the frayed edges of herself back together again and picked it up.

“Hey chickadee, am near your place today, can I pop in for a cuppa?”

She smiled as the relief flooded in and texted an enthusiastic reply. Natalie appeared at the door. “Mummy, can I have some scissors?”

“What for darling?” she folded the letter from the solicitor over, even though her daughter wouldn’t be able to understand it.

“The fairy wants some of my hair.”

“You’re too small to use scissors. How about I do it?”

Natalie squeaked and bounced up and down until told to stay still. Kim snipped a lock from the back, where her strawberry blonde curls were thickest, and showed it to her. “Shall I tie a ribbon around it?”

“Yes, a purple one. My friend wears a purple fairy dress.”

Kim rummaged in the crafting box. “My best friend will be here soon, Auntie Magda, do you remember her? She has blue hair.”

“Oh! I like her. Will you make a cake then?”

“Why not,” Kim agreed. There should be time.

***

“What a bastard,” Magda said, pushing the letter back across the table. “What a sleazy, evil bastard.”

Kim nodded, tearful now she’d started to talk. “I don’t know what to do. He knows I can’t afford to challenge it.”

“But you’d win,” Magda said, pouring more tea. “If his own brother tells you he’s moved assets into that bitch’s name to avoid the assessment, it’ll come out in court.”

A squeal of delight floated in through the window and they shared a smile. “At least Nat seems okay,” Kim said, picking at the crumbs on her plate. “She’s going through a fairy phase.”

Magda looked at the pictures pinned on the corkboard. “I guessed,” she smirked. “It’s good to see there aren’t any Daddy monsters in them.”

“She doesn’t ask about him anymore.”

“Kids adapt, better than we do.”

“Mummy,” Natalie appeared at the door again. “Can I play the piano for the fairy?”

“I’ll open the cover for you,” Kim said, happy that Magda would hear her play.

“She’s so gifted,” Magda said as the notes floated in.

“But if he won’t pay what he should, I won’t be able to afford her lessons any more. That’s what upsets me; he might be doing it to spite me, but it’s Nat who suffers.” Then she was crying. “Her teacher keeps saying I should apply to the private school in town, they’ve got this amazing music department, but I can barely afford the mortgage now.”

“What about a scholarship?” Magda said, moving round the table to sit next to her. “And sod the house, it’s too big and old anyway. Move closer to me and Dave.”

“But the countryside is good for Nat. And she practically lives in the garden over the summer. He’s such a git!”

Magda rubbed her back as she sobbed. The music stopped and she struggled to get a grip before Natalie came back in. “Mummy? Is Daddy making you sad again?”

“I’m alright darling, go out and play.”

“Shall I ask my friend to turn him into a frog?”

Magda laughed. “Yes! A big warty toad!”

“Okay,” Natalie skipped out.

“You shouldn’t have said that,” Kim blew her nose.

“Why not? It gives her a way to cope, and she suggested it. Kids are wiser than we think.”

“Mummy!” Natalie reappeared a minute later, breathless. “Can I go to fairyland?”

“Maybe after lunch,” Kim said. “Can you help us make soup?”

“Okay.”

“Mummy,” Natalie began, stirring the soup as she stood on her stool, Magda’s hands on her shoulders and kisses on her hair. “Is there a history of madness in our family?”

“What?” Kim lay the knife down as Magda’s jaw dropped.

“My friend wants to know.”

“Who is this friend of yours?” Magda asked, exchanging a suspicious look with Kim. “Is it really a fairy?”

“Oh yes. She’s tiny and sparkly and pretty and looks like that,” she pointed at the wall of pictures with the wooden spoon. “She lives at the bottom of the garden, by the old well.”

“And why did she ask about that?” Magda took the spoon from her.

“I don’t know. It was when we were talking about me going to live in fairyland. What does it mean?”

“I need a couple more carrots,” Kim said, wiping her hands on the apron. She went outside, the heat of the day oppressive after the cool farmhouse kitchen. She went past the vegetable patch and through the bushes to Natalie’s favourite spot, half expecting to find some weirdo lurking in the hedge, putting these mad things into her child’s head. But there was no one. Her tea set was laid out for two, a wasp drowning in the lemonade. She tipped it out.

***

Bellies full and dishes washed, Magda and Kim were looking over the pile of correspondence. “Thanks for staying Mags,” she said. “I couldn’t do this by myself.”

“S’ok,” Magda smiled, a blue lock twisted around her finger. “Nice to put the degree to some use. If only I’d kept it up, I could be your freaky blue-haired lawyer.”

They giggled, Kim felt better. “I think-”

Natalie’s scream cut her off, she was on her feet and at the door in a moment, hearing the exact pitch of genuine distress.

“Nat?” she called, heading down the path in her slippers, Magda close behind. “Nat?”

She emerged from the bushes in tears with outstretched arms, running towards her. “Mummy! A man caught my fairy!”

She ran into her arms, as Magda carried on running past them, no doubt fearing the same as she. “What man?” Kim asked, feeling her daughter quivering. “Did he hurt you?”

“No, he said the fairy was bad and caught her in a net.”

Kim’s shoulder was soon wet with her tears. “Did he touch you?”

“No, he caught my friend. The net made her all still.” The words unravelled into hysterics, Magda emerged from the bushes, shaking her head. “No-one there,” she said. “No-one in the fields either.”

“He went through a magic door,” Natalie wailed. “With my friend in his net.”

Kim shut her eyes, realising it was all part of her child’s fantasy, probably some reflection of the divorce or something like that. She felt Magda’s arms around them both. “I’m so sorry Nat,” her friend said. “Perhaps if we draw a picture of your fairy, she’ll find a way back again.”

Sniffing, Natalie twisted to look at her. “You think so?”

“Let’s try it, eh?”

Natalie wriggled free and ran into the house, sniffing.

“Thanks,” Kim said.

Magda looked just as relieved. “I thought it was something worse.”

“Kids eh?” Kim said as they walked back. “Where do they get this stuff from?”

Thanks for hosting Tim! I hope you enjoyed the story. If you would like to find out more about the Split Worlds project, it’s all here: www.splitworlds.com. If you would like to host a story over the coming year, either let me know in the comments or contact me through the Split Worlds site. Em x

Writing for Snob's

Posted by Tim at 19:11 on 2011/10/01
Oct 012011

When you saw the title of this post:

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I started writing a post about the art and craft of writing when I came up with the title for this post. I got a little distracted by wondering about how alluring or offputting the title might be on its own. So, my thoughts will go in another post, but right now I’m curious about any comments you have on just the title.

An Experiment... So This is Like Science!

Posted by Tim at 19:29 on 2010/09/23
Sep 232010

A couple months ago I put several of my Friday Flash stories together and published them on Smashwords as a free e-Chap called Flash in the Pan. From there, it has been offered through Barnes & Noble and Kobo [with more in the works]. I recently uploaded it to Scribd as well.

I’ve been doing this so I can learn first-hand about self-publishing and promoting. So far, the promoting has been limited to posts here on my blog and a couple mentions on my Facebook and Twitter streams. That has garnered it a few hundred reads and downloads.

Now I have a promotional video and I’ve given Flash in the Pan its very own page here at otoh. I’m also putting together a contest, which I’ll be announcing soon [tease].

So, if you’ve read Flash in the Pan, does this video represent it adequately? If you haven’t read it, does this video pique your interest? [Hey, the links are all here. And if you don't have an e-reader you can email tvansant (at) gmail (dot) com and I'll send you a PDF version.] P.S. –Note added @ 19:40: If you think the video sucks, looks totally amateurish, was a waste of time, etc. please put that in the comments too. I’m looking for honest feedback.

Images and sounds in the promotional video are copyright of their respective owners [linked below] and are used under Creative Commons License

Flash in the Pan now on B&N

Posted by Tim at 17:56 on 2010/07/16
Jul 162010

My e-chap Flash in the Pan is now available as a free download on the Barnes and Noble website. A collection of micro-fiction and flash fiction with a food-related theme. From a screaming salad to other-worldly sweets, from humor to mystery, this is a plateful of tasty tidbits.

I expect it to be available also on Sony and Kobo in the next week or so. Release dates for Amazon and Apple are TBA. Aspiring writers should check out Smashwords.

Flash in the Pan cover

Flash in the Pan cover

Cover photo by Jurvetson (flickr)

Flash in the Pan

Posted by Tim at 00:09 on 2010/06/11
Jun 112010

While on my blogging hiatus I put together a little e-book of food-related flash fiction. Flash in the Pan is now available on Smashwords. I did this as a learning experience. Page layout is always a challenge and formatting for an e-book has its own rules. [Smashwords provides a thorough style guide, but still....]

I don’t currently own a dedicated e-reader, but I have an i-Pod Touch with the Kindle and Stanza reader apps. The small screen is much easier to read than I expected, but I’ve only read short works on it. I don’t think I would enjoy a novel reduced to bite-sized pieces. I’m wondering how many of you have an e-reader and which one you have? What do you like most about it? What features are lacking? Anyone have an i-Pad? How many of you read on another portable device like I do?

Feel free to download a copy of Flash in the Pan, because that’s the price: free. There’s a PDF version for those without an e-reader. And I will be very grateful on any feedback you can give me.

Flash in the Pan cover

Flash in the Pan cover

Cover photo by Jurvetson (flickr)

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